The Wood Brothers have learned to trust their hearts. For the better part of two decades, they’ve cemented their reputation as freethinking songwriters, road warriors, and community builders, creating a catalog of diverse music and a loyal audience who’ve grown alongside them through the years. That evolution continues with Heart is the Hero, the band’s eighth studio album. Recorded analog to 16-track tape, this latest effort finds its three creators embracing the chemistry of their acclaimed live shows by capturing their performances in real-time direct from the studio floor with nary a computer in sight. An acoustic-driven album that electrifies, Heart is the Hero is stocked with songs that target not only the heart, but the head and hips, too.
“We love records that come from the era of less tracks and more care,” explains co-founder Oliver Wood. “When you use a computer during the tracking process, you have an infinite number of tracks at your disposal, which implies that nothing is permanent, and everything can be fixed. Tape gives you limitations that force you to be creative and intentional. You don’t look at the music on a screen; you listen to it, and you learn to focus on the feeling of the performance.”
Throughout Heart Is The Hero, those performances are matched by the visceral storytelling and songwriting chops that have turned The Wood Brothers into Grammy-nominated leaders of American roots music, even as their music reaches far beyond the genre’s borders. The strippeddown swagger of “Pilgrim” underscores Oliver’s reminder to slow down and experience each moment as an interactive observer, rather than a passive tourist. A similar theme anchors “Between the Beats,” where Oliver draws upon a meditation technique — maintaining one’s focus on the space between heartbeats — to reach a new level of presence. The gentle sway of country soul gem “Rollin’ On,” featuring horns by Matt Glassmeyer and Roy Agee, expounds on the timehonored tradition of love as the guiding light through darkness, while “Mean Man World” finds Chris Wood singing about his responsibilities as a father whose young daughter is poised to inherit an uncertain future. “Line Those Pockets” is a universal call for mercy and understanding over materialism. “Everybody’s just trying to be happy, so put your money away; line those pockets with grace,” the band sings in three-part harmony during the song’s chorus, which emphasizes compassion over cash as the world’s true currency. Together, these songs offer a snapshot of a spirited, independent-minded group at the peak of its powers, always pushing forward and seeking to evolve beyond what’s come before.
“There’s still acoustic guitar, upright bass, and percussion on this album — things people use all the time — but we’re always thinking, ‘How can we make this sound like us, but not like something we’ve already done?'” Oliver says. “Sometimes, the only way to do that is to get weird.”
That sense of exploration pumps its way through Heart is the Hero like lifeblood. Arriving on the heels of 2019’s Live at The Fillmore, 2020’s Kingdom In My Mind, and Oliver Wood’s solo album Always Smilin‘ — all of which were released on Honey Jar Records, the band’s independent label — Heart is the Hero is bold, bright, and singularly creative, a fully realized collective effort ultimately greater than the sum of its parts. Perhaps that’s to be expected from a group whose willingness to experiment has earned acclaim from Rolling Stone and NPR, as well as an annual touring schedule of sold-out music halls and theaters on both sides of the Atlantic. Ask The Wood Brothers, though, and they’ll tell you to expect the unexpected.
Born and raised in Morrison, Colorado – a tourist town in the foothills outside of Denver that’s home to Red Rocks Amphitheater – Jobi Riccio grew up surrounded by music and found inspiration in artists ranging from Sheryl Crow to Joni Mitchell. Sonically, Jobi’s music exists between worlds, melding the classic craftsmanship of her songwriting with modern indie-leaning production to forge a lush, expansive sound that feels traditional and experimental all at once. She has received acclaim for her songwriting, including winning the 2019 NewSong Music Competition, performing at the 2020 Sundance Film Festival, receiving the 2019 Lee Villiare Scholarship from her alma mater Berklee College of Music, and being named a finalist in the 2018 Rocky Mountain Folks Festival Songwriters Showcase. In 2023 Jobi was awarded the Newport Folk Festival John Prine Fellowship.
Her previous release, EP “Strawberry Wine” (2019), is an ode to the women of classic country and bluegrass she grew up learning to sing from. Her debut album, “Whiplash” (out September 2023 on Yep Roc), follows in similar footsteps but introduces influences from a variety of genres, while still holding space for Riccio’s love for all decades of country and americana music.